{"id":2,"date":"2018-10-22T10:46:04","date_gmt":"2018-10-22T08:46:04","guid":{"rendered":"http:\/\/www.clairesimon.fr\/2018\/?page_id=2"},"modified":"2025-11-16T20:59:18","modified_gmt":"2025-11-16T19:59:18","slug":"films","status":"publish","type":"page","link":"http:\/\/clairesimon.fr\/en\/films\/","title":{"rendered":"Movies"},"content":{"rendered":"
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To film is to believe in the revelation of cinema,
\nthe simplest and most radical revelation:
\nthat the present is transformed into presence,
\nthat an action becomes a story,
\nthat a human becomes a hero,
\nthat a location becomes a place.<\/p><\/blockquote><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t<\/i>Ecrire la vie - 2025<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Premi\u00e8re Fran\u00e7aise \u00e0 recevoir le Nobel de litt\u00e9rature, Annie Ernaux inspire une qu\u00eate d\u2019\u00e9mancipation.<\/p>

La cin\u00e9aste Claire Simon lui consacre un portrait original en donnant la parole aux lyc\u00e9ennes et lyc\u00e9ens et leurs enseignantes : comment son \u0153uvre est-elle enseign\u00e9e, re\u00e7ue, v\u00e9cue aujourd\u2019hui ? En filmant les jeunes lyc\u00e9ens qui commentent et s\u2019approprient les mots d\u2019Annie Ernaux, la r\u00e9alisatrice fait un portrait de la jeunesse et de son rapport \u00e0 la litt\u00e9rature comme \u00e9veil et transformations des consciences.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Elementary - 2024<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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In the Makarenko public elementary school in the Paris outskirts,<\/p>

children want to learn and to be cheered while teachers know they do not only teach,<\/p>

they also educate.<\/p>

With care, tenacity and efforts, children are trained to become not only responsible citizens but also human beings.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Our body - 2022<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Claire Simon observes the everyday operations of the gynecological ward in a public hospital in Paris. She meets patients in all stages of life-young and old, cisgender and trans. Unique stories of fertility, gender transitions, and cancer unfold, including the one of the filmmaker herself.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>I want to talk about Duras -2021<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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A man involved in a passionate relationship with a celebrated writer Marguerite Duras of 38 years his senior needs to talk. He is fascinated by her and yet he feels he just cannot go on anymore. He opens up, in an attempt to put into words the intensity of his love and he describes it with great clarity.\nC\u00e9sar-winning actors Emmanuelle Devos and Swann Arlaud co-star as Manceaux and Andr\u00e9a in the film, which is based on a transcript of a 1982 interview between Andr\u00e9a and writer and journalist Mich\u00e8le Manceaux.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Garage engines and men - 2021<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Garage engines and men A pretty little village in Provence. Yes, I grew up there but it seems to me today that life has somewhat deserted it. Apart from here, at the garage, that everyone, meaning the men, comes to in order to get their cars looked after. What do they do? What do they talk about? A breakdown turns into a puzzle full of suspense. The garage becomes the place for male transmission. There are only men here, and they repair metal bodies.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>The grocer\u2019s son the mayor the village and the world - 2020<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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It's winter in the small village of Lussas, in the Ard\u00e8che, and the farmers are\nare busy pruning their vines. With the support of mayor Jean-Paul\nRoux, his old school friend Jean-Marie Barbe embarks on a very\nunique venture: the creation of a subscription-based digital platform\nplatform dedicated to auteur documentaries. This was the birth\nT\u00ebnk, a rural start-up. Alongside Jean-Marie,\nwill the team win the challenge of this economic venture?<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>The Village serie - 2019<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Lussas, a small French village in the Ard\u00e8che department. Here, fruit is grown, wine is made and documentary films are made. A group of enthusiasts embarked on the construction of a new building, L'Imaginaire, and created a platform dedicated to auteur documentaries, T\u00ebnk.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Young solitudes - 2017<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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This is a portrait of an age of life: 16\/18 years old.<\/p>

At that age, if we're lucky, we're in high school, here we are in Ivry and we chat between classes, even sometimes during classes. Sitting in the hallway or outside on a bench or on the parapet with a view of the city. The young people talk in pairs or threes and they discover their respective stories, those they inherit, the family, and they talk about their passions and their solitudes.<\/p>

At this age everyone sees the moment when they will have to leave the family, when it exists... And flee it even more when it is completely broken. Being alone is good and bad. We search, we discuss it.<\/p>

\u00a0See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>The competition - 2015<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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The Competition begins, significantly, with the image of a locked gate\u2014that of La F\u00e9mis, one of the most prestigious film schools in the world, offering hands-on training from working professionals and accepting only 40 students per year from hundreds of applicants. This Wiseman-esque documentary from Claire Simon, one of France\u2019s premiere nonfiction filmmakers, observes the process whereby those lucky 40 are selected\u2014a process that is revealed to be highly personal, idiosyncratic, and subject to the vagaries of taste and personal prejudice.<\/p>

Funny, penetrating, and surprisingly suspenseful, The Competition offers not only a unique opportunity to see the inner workings of an institution at the very heart of the French film industry but an invitation to look at the assumptions and roadblocks that shape any national film industry, and higher education in general.<\/p>

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\n\t\t\t\t<\/i>The woods the dreams are made of feature - 2014<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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As a reachable form of a lost Eden within everyone\u2019s grasp, everybody comes to the Bois de Vincennes to seek refuge in Nature. People from all walks of life have the right to be here: rich, poor, french, foreign, gay, straight, alone or accompanied, old school or hip. The Woods are an island surrounded by the towns that encircle it: a mirage dreamed-up by a fatigued city-dweller. The difficulty of living in the city is left behind. Here we heal, we play, we have fun and we dream. Throughout the seasons, the series of exchanges speak of this utopia that everyone imagines for him or herself.<\/p>

\u00a0See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Gare du nord - 2013<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Paris, Gare du Nord, where anything can to pass here, even trains.\nWe'd like to stay, but we have to hurry...\nIsma\u00ebl, Mathilde, Sacha and Joan, like the thousands of lives that cross their paths, will meet there.\nEvery day, Isma\u00ebl is dazzled, fascinated and exhausted by this place.\nIt was on the platform of the RER that he saw Mathilde for the first time. Little by little, they fall in love.\nThey meet Sacha and Joan. Sacha is looking for his missing daughter, Joan spends her life in this station between Lille, London and Paris.\nThe station is like a bubble through which everyone passes: French people, immigrants, emigrants, travellers, ghosts...\nIt's a crossroads where every life passes quickly and disappears.<\/p>

See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Human geography - 2013<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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A film about and in a station... yes, at the Gare du Nord in Paris... The biggest station in Europe, the third biggest in the world... Of course, it is an excessive location, immoderate for a film. It is a wide open place, both modem and old. And the Gare du Nord is an amalgam of 5, 6 stations clustering together: the high-speed RER suburban train station, the metro, the suburban station, the regional trains, the Intercity station, Eurostar and the bus station above the new glass roof. It is the station of DIVERSITY...\nWhat does the Gare du Nord do for humans?\nIt's random, of course, at the whim of the success of a film-making encounter with a view to finding out the path that brought this or that person here, to this place in the Station.\nTheir path and not just their daily journey. The path taken by the person to get there, whether they were born in London, Paris, Aubervilies Brazzaville or Tizi-Ouzou. Their life path, their personal geography.<\/p>

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\n\t\t\t\t<\/i>God\u2019s offices - 2008<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Djamila would like to be on the pill because her relationship with her boyfriend has become serious; Zoe \u2018s mother gives her condoms but calls her daughter a whore;Helene complaints about being too fertile; Nedjma hides her pills from home because her mother searches her bag ; Adeline wishes she could have kept it, so does Margot. Maria Angela would like to know who she\u2019s pregnant from,while Ana Maria has chosen love and freedom. The advisers are played by very famous actresses. They listen to each patient of the family planning, they wonder how to cope with sexual freedom.\nIn God\u2019s offices you laugh and cry and feel swamped.<\/p>

\u00a0See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>On fire - 2005<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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24 June, it's almost the holidays and already summer. The teenagers of a village in the south of France, in search of sensuality, are trying their hand at desire.\nLivia, a solitary 15-year-old rider, prefers to be transported, carried away and consoled by her horse. But when fireman Jean Susini rescues her from a nasty fall, she falls in love.\nAs the hours go by, the teenager begins to pursue this older man with her burning passion. Her desire is devouring her, taking her one step at a time up the ladder of exaltation, consuming her - to what point?<\/p>

See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Mimi - 2002<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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I wanted to make a film about Mimi's life.\nAbout someone's life, therefore. To get as close as possible to this singularity in order to encounter the romance of a real life.\nI was going to discover her by filming her. There, on her island in Nice, or in the mountains, at the whim of the family or unknown places where I filmed her, I waited for her story that I didn't yet know to come back to her, and for her to tell me the scenes that make up her personal novel<\/p>

\u00a0See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>800 km de diff\u00e9rence \/ Romance - 2000<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Manon is 15. On holiday, she met 17-year-old Greg.\nHe lives in Claviers, a small village in the Haut-Var, and she lives in Paris.\nGreg and Manon are in love. Portrait of a young man in the world around him when his girlfriend is there, when their story exists and confronts history and geography\n \u00c7a c\u2019est vraiment toi\n The film tells the story of young Antoine at the European Parliament in Strasbourg .He\u2019s just finished political science studies and looking for work. He can see himself as parliamentary asistant .\nHe would also like to get back with Cleo who has been working in the audio visual department of Parliament for some time.\nCleo doesn't have very good memories of him and the deputies think more about the war raging in Kosovo and the forthcoming European elections than finding a new assistant. During this week of parliamentary session, the young man discovers the theatre of democracy, and of love, and measures the anguish of commitment, whether political or romantic.<\/p>

\u00a0See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>\u00c7a, c'est vraiment toi - 1998<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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The film tells the story of young Antoine at the European Parliament in Strasbourg .He\u2019s just finished political science studies and looking for work. He can see himself as parliamentary asistant .\nHe would also like to get back with Cleo who has been working in the audio visual department of Parliament for some time.\nCleo doesn't have very good memories of him and the deputies think more about the war raging in Kosovo and the forthcoming European elections than finding a new assistant. During this week of parliamentary session, the young man discovers the theatre of democracy, and of love, and measures the anguish of commitment, whether political or romantic.\u00a0<\/p>

\u00a0See the film details<\/a><\/span><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>A foreign body - 1997<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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The story of a woman who unwittingly lets her husband thinks she\u2019s pregnant. He doesn\u2019t want the child and she refuses to have an abortion( since she isn\u2019t pregnant).Little by little this belief in her pregnancy repairs the bond with her husband, bolsters her ailing father and delights those around her. Day after day the fiction takes form, and nothing seems able to stop it .\nWith this film I started from a true story which allowed me to concentrate on the story it self and not it\u2019s plausibility. It is as old as the Judgment of King Salomon , but azt the same time it has cropped up in newspapers in different forms over the last ten years. It is both ancient and very modern because it is built around a question touching n ideals: might transcendence come only from our children<\/p>

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\n\t\t\t\t<\/i>At all costs - 1995<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Produce at all costs! Save the business at all costs!\nEven if you don't get paid straight away, keep going at all costs!\nFind new customers at all costs! New suppliers at all costs!\nThe film tells the story of a small, company ,still in its early days where ready meals are prepared for supermarkets.\nThe boss and employees lead an economic war on a shoe string.<\/p>

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\n\t\t\t\t<\/i>How to buy a gun - 1993<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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\u201cI was looking to film people who want a weapon, here in France, where it is prohibited. [...] In the armory, we feel this fiction of the passage to action, where the potential buyer tells himself a story, asks himself what he is going to and what he can buy. \u00bb (Claire Simon)<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Histoire de Marie - 1993<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Something has happened to Marie, quite a story... but it's not what she thought. She doesn't like going down into the cellar. One day, she saw some squatters, one them with a beard at the far end of the cellar. She was so scared, she closed the door and went to tell the police.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Sc\u00e8nes de m\u00e9nage - 1992<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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A woman cleans her house, from time to time, when she can, like everyone else. When her hands are busy, she dreams, she makes a wish which she immediately grants in thought.<\/em><\/p><\/div>

10 domestic scenes, 10 housework, 10 marital reveries<\/p><\/div>

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\n\t\t\t\t<\/i>Playtime - 1992<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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There is a kind of country tiny so small that it resembles a theater set. It is inhabited two or three times a day by its people.The inhabitants are small as well. Even if they live under certain laws, they repeatedly put them into question, which lead them to fight violently with each other. The country is called \u201cthe court\u201d and its people \u201cthe children\u201d .\nWhen \u201cthe children\u201d go into \u201cthe court\u201d they discover and feel the power of feelings or human servitude. This is called \u201c Playtime\u201d<\/p>

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\n\t\t\t\t<\/i>The patients - 1990<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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When I go to the doctor, what always surprises me is that he knows something about my life that I don't know.\nAnd it's this relationship that I wanted to film, between the doctor, the one who knows, and the patients, who come to ask him how they are.\n To do this, I met a GP who agreed to let me film him during his consultations. He was about to retire. It was a very important issue for him too.<\/p>

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\n\t\t\t\t<\/i>La police - 1988<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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While looking after little Marie, Irma receives a call from her fianc\u00e9, who asks her to\njoin. She left the girl to have her lunch and go to schoolalone.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Moi non, ou l'argent de Patricia - 1983<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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A modest secretary at the Varan workshops, Patricia dreams of becoming an actress.<\/p><\/div><\/section>

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\n\t\t\t\t<\/i>Mon cher Simon - 1983<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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The cash flow problems of Simon, son of an emigrant, in a village in Haut-Var. Claire Simon follows him throughout his fairly idle days.<\/em><\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Une journ\u00e9e de vacances - 1983<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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During a vacation day, the filmmaker films her crippled father and the person who takes care of him.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i>Tandis que j'agonise - 1980<\/span>\n\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
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Free adaptation of Faulkner's novel and the excitement (and me') caused by the Patrick Henry and Ranucci affairs.<\/p><\/p>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Filmer c\u2019est croire en la r\u00e9v\u00e9lation du cin\u00e9ma,\u00a0la r\u00e9v\u00e9lation la plus simple et la plus radicale :que le pr\u00e9sent se transforme en pr\u00e9sence,qu\u2019une action devient une histoire,\u00a0qu\u2019un humain devient un h\u00e9ros,qu\u2019un endroit devient lieu. Ecrire la vie – 2025 Premi\u00e8re Fran\u00e7aise \u00e0 recevoir le Nobel de litt\u00e9rature, Annie Ernaux inspire une qu\u00eate d\u2019\u00e9mancipation. La cin\u00e9aste … <\/p>\n

Continue reading \u00ab\u00a0Films\u00a0\u00bb<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":23,"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":440,"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/pages\/2\/revisions\/440"}],"wp:attachment":[{"href":"http:\/\/clairesimon.fr\/en\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}